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wednesday reads
Sep. 17th, 2025 06:05 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
isisWhat I recently finished reading:
A reread of Velocity Weapon by Megan E. O'Keefe - here's my original review from 2020:
Space opera that reminds me a bit of Imperial Radch smushed with the Expanse, though it doesn't feel like it's actually inspired by either. There's a sentient spaceship and a culture which dominates the universe and controls the gates which allow passage between worlds (which were invented using a mysterious technology that may have come from another civilization), and generally modern SF style views of gender and sexuality (the main characters, siblings, have two fathers, and there's a character who uses 'they' pronouns, presumably nonbinary). The story mostly follows Sanda, a 'gunnery sergeant' [this seemed odd to me for various reasons - she seems to be an actual officer, not a noncom, but I guess military ranks in this far future world are different?] who wakes up after a battle alone, on board a deserted enemy warship, which tells her that it's 230 years after the battle and that both sides' planets have been destroyed. Other POVs are Sanda's brother, Biran, who has been recently elevated to the political elite of their society, and Jules, a young gangster girl on a planet far away, whose narrative seems to have little to do with the main story until the very end when things are connected in order to set up the next book. I liked it a lot, though I felt that after the first few big reveals (which were great!) things dragged for a while before rushing to a climax that quickly went on to a cliffhanger.
Rereading my review, I guess I still agree with it! I'm sadly appalled that I forgot so many of the spoilery details in the intervening 5 years.
But I'm on to the next book in the series, Chaos Vector...
A reread of Velocity Weapon by Megan E. O'Keefe - here's my original review from 2020:
Space opera that reminds me a bit of Imperial Radch smushed with the Expanse, though it doesn't feel like it's actually inspired by either. There's a sentient spaceship and a culture which dominates the universe and controls the gates which allow passage between worlds (which were invented using a mysterious technology that may have come from another civilization), and generally modern SF style views of gender and sexuality (the main characters, siblings, have two fathers, and there's a character who uses 'they' pronouns, presumably nonbinary). The story mostly follows Sanda, a 'gunnery sergeant' [this seemed odd to me for various reasons - she seems to be an actual officer, not a noncom, but I guess military ranks in this far future world are different?] who wakes up after a battle alone, on board a deserted enemy warship, which tells her that it's 230 years after the battle and that both sides' planets have been destroyed. Other POVs are Sanda's brother, Biran, who has been recently elevated to the political elite of their society, and Jules, a young gangster girl on a planet far away, whose narrative seems to have little to do with the main story until the very end when things are connected in order to set up the next book. I liked it a lot, though I felt that after the first few big reveals (which were great!) things dragged for a while before rushing to a climax that quickly went on to a cliffhanger.
Rereading my review, I guess I still agree with it! I'm sadly appalled that I forgot so many of the spoilery details in the intervening 5 years.
But I'm on to the next book in the series, Chaos Vector...
